Alexandra Valavelska
in Achtung Kabarett!
1920s Berlin and Paris Lola's journey from the
Blue Angel to the blues: Sex, songs
and satire. Jackboots and jazz. Lola's voice rises through the smoking
ruins of Berlin singing wistfully of the Weimar years; the loss of a
people, the proscription of laughter; the anatomy of despair... Yet
singing her way through it all Lola retains her sense of the comic, but
it is comic tragedy set to the words and music of Friedrich Hollaender,
Mischa Spoliansky, Hans Eisler as well as present day composers. She
endures because her words become a mantra of survival and her music a
hymn to future hope.
Song Order A penny's worth of lovin' (Waxman/Colpet) Ich bin die fesche Lola (Hollaender) Ich wesiss nicht zu wem ich gehoere (Hollaender/Liebmann) I am a Vamp (Spoliansky/Schiffer) Ich bin von Kopf bis Fuss (Hollaender) It's all a Swindle (Spoliansky/Schiffer) The Jews are all to Blame (Hollaender) Muenchhausen (Hollaender) Escale (Monnot/Mareze) L'Heure Bleue (Spoliansky/Schiffer) Ich hab' noch einen Koffer in Berlin (Pinelli/Siegel) L'Accordeoniste (Emer) ***** Piano: Matthew Freeman |