AT THE END OF THEDAY by William Douglas Home
Venue:
Savoy
1973
Director: Robert Chetwynn

Cast
| Henry
Jackson
Prime
Minister |
John
Mills |
| His
Wife |
Dulcie
Gray
|
| Leader
of
the
Opposition |
Michael
Denison |
Martin Knight TV
interviewer
|
Jack
May |
| Removal
Man |
Ron
Pember |
Review
The Stage
The British may criticise their politicians as much as they like, but
they can also laugh at them, and that is what John Mills, Dulcie Gray
and Michael Denison ask audiences to do in William Douglas Home's "At
The End of the Day".
The sitting-room at Number Ten Downing Street makes a
contemporary, yet offbeat setting for this flippant, captivating look
at our top men, before and immediately after a General
Election. The "Panorama" cameras look in for a close-up interview with
a brash pipe-smoking Prime Minister with a North Country accent, one
Henry Jackson, letting slip to the nation the scoop news of an Election.
John Mills is the bluff, cocky
and so quickly-deflated Prime Minister. Even his walk conveys
the
various degrees of desperation as the TV set brings the news of how
Opposition votes are piling up. He gets most of the action but there is
a meaty role for Dulcie Gray, who succeeds admirably in
conveying his homely wife, first echoing her husband's views, then
turning
on him for his arrogance. Closed-circuit television brings modern
electronics to the set, and the first live sight of Michael Denison is
on a TV screen being interviewed on "24 Hours", but he then
arrives in the flesh, complete with obsequious private aide and
furniture
van, having consigned the outgoing occupants to a rural weekend at
Chequers. There is an amusing ending to the fun which must not be
disclosed, except for the mention that, probably in the final five
minutes, sharp audience members will spot the tag and see how it is all
going to wind up, as flippantly as it began.
The playwright makes the television interviewer, played by Jack
May, a sort of Robin Day billed as Martin Knight, step over the mark
and his opening
chat with Mills could benefit from less of the far-fetched. There is a
juicy cameo of a
furniture removal man by Ron Pember, who has remarks to make to both
Prime Ministers.I
In the lightsome Douglas Home tradition, the play offers pleasant
diversion that does not puzzle or set problems, and proves
enjoyable.
It is for playgoers who may relish lampoons of Prime Ministers and
their wives and private aides, and the endless jargon of clichés
like the one providing the title merely amuse,
although there must be a moral to them, too.