| Gilbert Harding |
Edward Woodward |
| Robert Midgely |
Jonathan Cullen |
| Eric |
Joshua Henderson |
| Mrs Clarke |
Frances Cuka |
| Nancy Spain |
Helen Bourne |
| D.I. Strang |
Christopher Saul |
| P.C. Dabbs |
Patrick Nielsen |
| Nurse |
Polly March |
| Fabrizio |
Thomas Nelstrop |
| Alex |
Patrick Nielsen |
Reviewed for The Stage by Roger Malone
To some the legendary Gilbert
Harding is a monochrome memory, to others an antediluvian unknown. The
power of this play is that it contains enough dramatic alchemy to
conjure magic for those both familiar and those freshly acquainted with
this reviled and revered personality.
Leonard Preston's scintillating script and Edward Woodward's
masterfully honed portrayal of the irascible Mr Harding makes mesmeric
theatre. A celebrated columnist, broadcaster and eloquently outspoken
personality, he also had a darker side to his private life.
Harding was a homosexual in an age when committing such acts was
against the law. It was only a matter of time before one would become
the focus of police attention in fifties society.
Woodward fine tunes the role to perfection. The notorious celebrity is
seen as waspish and outrageously witty. However, we see shafts of
warmth and compassion occasionally shining through.
]onathan Cullen gives a superb performance as Harding's apologetic
private secretary Midgely - a sensitive soul initially ill-equipped for
the verbal volcanics of his boss and whose domestic life is dominated
by his hard-talking lover Eric (Joshua Henderson).
Frances Cuka is convincing as Mrs Clarke, a straight-talking
housekeeper, loyal despite viewing some of her employer's traits with
disdain. Helen Bourne captures the right air as Nancy Spain - Harding's
fellow TV panellist and confidante, while as DI Strang, Christopher
Saul brings a contemptuous edge in a cat and mouse game as he baits the
man over his sexual indiscretions.
Directed with pace and compassion by David Giles and played against a
simple but effective set by Kenneth Mellor, this is an evening's
viewing to savour long after the final fade of the back projected BBC
test card.