The fast-moving thriller Veronica’s Room at the Watford Palace is a compelling piece of theatre. It’s excellence is brought about by expert and sensitive direction by Patrick Lau and moving and highly memorable performances by the distinguished cast. The pace of the psychological drama by Rosemary’s Baby author Ira Levin has been handled just right. The audience can fully comprehend the twists and at the same time are kept on their toes. They are left guessing to the very end as to why the pretty blonde girl is lured to the strange room where she is asked to carry out a bizarre piece of play acting.

Margaret Tyzack plays the woman who helps lure the girl to Veronica’s Room. Her characterisation is faultless as she captures fully the emotion and the depth of the person she is portraying. At the end of the performance Tyzack looks shattered – and it is little wonder as she puts her all into the character. Bernard Horsfall also renders an impeccable portrait. He fully compliments Tyzack in their strong emotive scenes and brings individualism and dynamism to the role. The part of the girl is played by Beverley Adams who produces a fine, bright characterisation. This one contrasts expertly with the emotions of the other characters and has considerable flair. The fourth actor Peter Woodward adds a refreshing  quality to the part of the young man. Woodward proves himself to be a more than capable actor who can bring originality to a part.

The striking design and set by Joe Vanek do much to enhance the production. And top marks must go to director Patrick Lau.