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SHE STOOPS TO CONQUER by Oliver Goldsmith
Venue: Lyric Hammersmith 1982
Director: William Gaskill



Cast
Mrs Hardcastle Betty Marsden
Mr Hardcastle Anthony Sharp
Tony Lumpkin Ron Cook
Kate Hardcastle Tracey Ullman
Constance Neville Karen Archer
Tom Twist Tim Charrington
Jack Slang   horse doctor  Ivan Steward
Aminadah Richard Syms
Dick Muggins   excise man Michael Crompton
Landlord George Malpas
Young Marlow Nigel Terry
Hastings Hugh Fraser
Diggory Richard Syms
Sir Charles Marlow Richard Caldicot
Roger Ivan Steward
Tim Charrington
Michael Crompton
Pimple  maid Joanna Maude
Jeremy  Marlow’s servant
Michael Crompton

Review

Booming with confidence

One of the best of all English comedies, She Stoops to Conquer has come to the Lyric, Hammersmith in an exceptionally good production by William Gaskill, brisk and funny and sporting two of our best exponents of high-style humour in Betty Marsden  and Anthony Sharp and two excellent younger players in Tracey Ullman and Ron Cook.


 Hugh Fraser as Hastings  and Betty Marsden as Mrs Hardcastle

To see Betty Marsden in full sail as Mrs Hardcastle, absurdly overdressed, booming with overbearing confidence but at the same time showing us the vulnerability of a woman whose best years are fast receding into the distance, is to make one regret the lack of recent opportunities available to actresses with such a firm grasp of comedy technique. Anthony Sharp, as her husband, gives a splendid study of a man whose natural good humour is strained to its utmost by the behaviour of Young Marlow, under the impression that Hardcastle’s home is an inn.

But if these players capture our attention most by their assurance and experience, there is also much to admire in the performance of the younger actors. Tracey Ullman is an actress of potentially rich accomplishment as Kate, not one of your conventional beauties but one who can blend delicacy and broadness in a way that marks her out for stardom. Ron Cook, resembling a younger and shorter Roy Hudd with here and there a touch of Norman Wisdom in his shambling, rolling gait, is a Tony Lumpkin with vigour and zest, a mixture of the hardened prankster and the wayward child.

Nigel Terry and Hugh Fraser are contrasted nicely as Young Marlow and Hastings, with Karen Archer as a serene Constance and Richard Caldicot arrives in the last act to add his own charm as Sir Charles Marlow to a comedy which, further enriched by Peter Hartwell’s settings, makes ideal entertainment for a summer evening.