SHE
STOOPS TO CONQUER by Oliver Goldsmith
Venue: Lyric Hammersmith 1982
Director: William Gaskill
Cast
| Mrs Hardcastle |
Betty Marsden |
| Mr Hardcastle |
Anthony Sharp |
| Tony Lumpkin |
Ron Cook |
| Kate Hardcastle |
Tracey Ullman |
| Constance Neville |
Karen Archer |
| Tom Twist |
Tim Charrington |
| Jack Slang
horse doctor |
Ivan
Steward |
| Aminadah |
Richard Syms |
| Dick Muggins excise
man |
Michael Crompton |
| Landlord |
George Malpas |
| Young Marlow |
Nigel Terry |
| Hastings |
Hugh Fraser |
| Diggory |
Richard Syms |
| Sir Charles Marlow |
Richard Caldicot |
| Roger |
Ivan Steward
Tim
Charrington
Michael Crompton |
| Pimple maid |
Joanna Maude |
Jeremy Marlow’s
servant
|
Michael Crompton |
Review
The Stage: Peter Hepple
Booming with confidence
One of the best of all English
comedies, “She Stoops to Conquer” has come to the Lyric, Hammersmith in
an exceptionally good production by William Gaskill, brisk and funny
and sporting two of our best exponents of high-style humour in Betty
Marsden and Anthony Sharp and two excellent younger players in
Tracey Ullman and Ron Cook.

Hugh Fraser as
Hastings and Betty Marsden as Mrs Hardcastle
To see Betty Marsden in full sail as Mrs Hardcastle, absurdly
overdressed, booming with overbearing confidence but at the same time
showing us the vulnerability of a woman whose best years are fast
receding into the distance, is to make one regret the lack of recent
opportunities available to actresses with such a firm grasp of comedy
technique. Anthony Sharp, as her husband, gives a splendid study of a
man whose natural good humour is strained to its utmost by the
behaviour of Young Marlow, under the impression that Hardcastle’s home
is an inn.
But if these players capture our attention most by their assurance
and experience, there is also much to admire in the performance of the
younger actors. Tracey Ullman is an actress of potentially rich
accomplishment as Kate, not one of your conventional beauties but one
who can blend delicacy and broadness in a way that marks her out for
stardom. Ron Cook, resembling a younger and shorter Roy Hudd with here
and there a touch of Norman Wisdom in his shambling, rolling gait, is a
Tony Lumpkin with vigour and zest, a mixture of the hardened prankster
and the wayward child.
Nigel Terry and Hugh Fraser are contrasted nicely as Young Marlow
and Hastings, with Karen Archer as a serene Constance and Richard
Caldicot arrives in the last act to add his own charm as Sir Charles
Marlow to a comedy which, further enriched by Peter Hartwell’s
settings, makes ideal entertainment for a summer evening.