| Weinberl |
Ray Brooks |
| Christopher |
Felicity Kendal |
| Sonders |
Barry Mcginn |
| Marie |
Mary Chilton |
| Zangler |
Dinsdale Landen |
| Gertrud |
Hilda Braid |
| Foreigner |
Paul Gregory |
| Melchior |
Michael Kitchen |
| Hupfer tailor |
John Challis |
| Lightening |
Thomas Henty
Timothy Hick |
| Philippine |
Allyson Rees |
| Madame Knorr |
Rosemary
McHale |
| Frau Fischer |
Deborah Norton |
| Coachman |
Harold Innocent |
| Italian Waiter |
John Challis |
| German Couple |
Teresa
Codling
Clyde Gatell |
| Scottish Couple |
Greta
Watson
Andrew Cuthbert |
| Second Waiter |
Philip Talbot |
| Constable |
Alan Haywood |
| Fraulein Blumenblatt |
Joan Hickson |
| Lisett her maid |
Marianne Morley |
| Ragamuffin |
Paul Ahmet
Courtney Roper-Knight
Adam Woodyatt |
| With |
Catherine Harding
Thomas Henty
Timothy
Hick |
Review
Time Out: Anon
There's something rather
defensive about the programme note, which declares 'My purpose is to
please, to
entertain, to get people laughing'. Not the motto of Tom Stoppard but
of Johann Nestroy who provided the basis for Stoppard's latest comic
exercise with his mid-19th Century comedy 'Einen Jux Will Er Sich
Machen' (also the basis of 'The Matchmaker'/'Hello Dolly'
apparently).
'On The Razzle' is a mixture of farce and comedy with some pleasing
sets by Carl Toms (heralded by back-projected sheet music at every
turn) and some splendid comic performances (Michael Kitchen's
loquacious servant, Felicity Kendal in apprentice drag and Dinsdale
Landen as a malapropistic pomposity of a master grocer). The decisive
Stoppardian touches are also present.
What keeps the show afloat, despite a comic voyage which takes us
froma small-town grocer's shop to the dizzy heights of Imperial
Bourgeois
Vienna are Stoppard's dazzling string of verbal jests,
misunderstandings, puns and allusions strung together from the
beginning of the proceedings: 'I love your niece'...'My
knees,sir? Oh my niece. Well my niece and I are not to be
prised apart so easily, and nor are hers...'. It might be small
beer from the author of 'Travesties', but that would be to miss the
point of the production.