Martin Jarvis’ skill
as a farceur in Trevor Cowper’s Caught In The Act
at the Garrick may come as a surprise to theatregoers
unfamiliar with his long-running TV comedy series Rings On Their Fingers.
His diverse roles in the theatre have stamped him as
versatile, but with the emphasis on the serious, even
the classical. One of his first parts in
London, when at the early age of 18 he was lucky enough
to appear with the National Youth Theatre and to play Henry V at Sadler’s
Wells, prompted Harold Hobson to say, “more will be
heard of this actor, though not necessarily in this
role”. On TV he achieved notable
success as Uriah Heep in David Copperfield and the title role
in Nicholas Nickleby,
while his performance as Jon in The Forsyte Saga
won him a worldwide following. Lovely parts
all, but like his appearances on stage, including Man and Superman, The Spoils of Poynton,
Hamlet in Martin Jenkins’ production at
the Theatre Royal, Windsor, and the 1976 revival of The Circle at
Chichester and Haymarket, not exactly lightweight.
Which is why he’s happy to be letting his burnished
hair down in the Bill Kenwright-Charles Ross production.
“I always try to move on from the thing I’ve done
before. I’ve done light comedy on TV and comedy on
stage, but never the lightweight, commercial kind which
is perhaps the hardest of all, and it was nice to be
asked. I like doing it, the contact with the audiences
and the feedback that one gets. Comedy to me is like
going out fishing with your rod; in the loch is the
monster, which may be a nice monster or not so nice, but
it is there under the water. That’s what I feel an
audience is; I always listen before the curtain goes up
to their sound. Then I think ‘I’ve got to go fishing for
that audience tonight to see whether I can catch this
great big difficult fish that might swim away, might
come back, seem about to be caught, and then swim away
again'. We are like a team of fishermen – a company
playing a comedy of this sort. That’s why it’s
exciting”.